Every other discipline wherein digital technologies have brought in progressive modifications is that of management and management of copyright. The brand new technologies have made the administration and protection of copyright quite hard. It has made replica, distribution and verbal exchange of works less difficult and inside the competence of ordinary individual. Now copies can be made at an tremendous pace with absolute fidelity to the authentic and transmitted over past distances and dispersed to hundreds of thousands of people in a couple of minutes or maybe seconds. This has unfolded the possibilities of widespread unauthorised copying and distribution of copyrighted works materially affecting the monetary hobby of the owners. When such activities can be performed from the privacy and safety of one’s home, law turns into an impotent, mute witness. The issues created by means of technologies want to be tackled with the aid of technologies. As Charles Clark put it, “the solution to the gadget is the gadget”. But, the answers devised up by way of technologists want to be covered by using law as in any other case the ones answers could be changed by counter technology, with impunity. technological answers had been determined for the issues posed by using the new technologies thru get admission to manage or replica manipulate mechanisms together with encryption era or water marking integrated into works allotted over digital networks so that it will defensive them form illegal exploitations. However, counter-technology was developed to defeat those safety technologies. The copyright community, consequently, felt the need for legal mechanisms to defend against the hacking of technological protections carried out to copyrighted products within the digital surroundings. This resulted within the WCT making it compulsory for member states to: provide good enough prison safety and effective felony remedies in opposition to the circumvention of powerful technologies measures that are used by authors in connection with the exercising of their rights. As according to the copyright act knowingly making or possessing any plate for the reason of creating infringing copies of copyrighted work is a punishable offence. The definition of ‘plate’ could be very huge certainly. it includes: any stereotype or different plate, save, block, mould, matrix transfer, negative duplicating system or different device used for or meant for use for printing or reproducing copies of any paintings, and any matrix or different appliance by which sound recording for the acoustic presentations of the paintings or are supposed to be made. This definition to an extraordinary extent offers safety for the technological measures adopted by way of a copyright owner. Virtual technologies will must be used widely for administration of copyright inside the virtual surroundings. Maybe licensing and fee collection also ought to be computerized. Green functioning of an automated machine presupposes activate registration of any request for or transmission of a work alongside all data vital for switch of agreed bills to the appropriate right proprietors. This could be feasible only if certain statistics like information approximately rights possession or licence phrases, which are important for licensing and charge of licence rate, are embedded within the paintings. This information is classed as “rights management facts” inside the WCT. The treaty defines rights control statistics as: information which identifies the paintings, the writer of the work, the owner of any right inside the work, or facts about the terms and conditions of use of the paintings, and any numbers or codes that represents such records, whilst any of those items of statistics is connected to a duplicate of a work or appears in connection with the conversation of a piece to the public. Any sort of the removal or alteration of any of the above data as well as distribution or communiqué to the public of copies of labour with such removals or alterations will create havoc with the rights management. Section 52 A of the copyright act provides for certain facts to be displayed on sound recording and cinematographic movie. The facts, even as truly part of rights control information, aren’t always ok for the management of the rights within the digital environment and similarly it is limited to two training of works only. Additionally in this example, the onus is at the copyright owner. Provision desires to be made either within the copyright act or a few different acts making it an offence to get rid of or adjust any rights control records utilized in a copy righted paintings.